JAZZ DOWNLOAD Vol. 13, jazz festival 2009

Grant Green
The Latin Bit

Tracks
1 Mambo Inn (Bauza, Sampson, Woodlen, Bauza) 5:52
2 Besame Mucho (Skylar, Velasquez, Velazquez) 7:12
3 Mama Inez (Gilbert, Grenet) 6:42
4 Brazil (Barroso, Russell, Russell) 5:01
5 Tico Tico (Abreu, Drake, Oliveira) 7:46
6 My Little Suede Shoes (Parker) 6:23
7 Blues for Juanita [*] (Green) 7:06
8 Grenada [*] (Lara) 6:27
9 Hey There [*] (Adler, Ross) 7:24
*bonus tracks, not part of original LP

Personnel
Grant Green - g
Ike Quebec - ts (#8 & 9)
Johnny Acea - p (#1-7)
Sonny Clark - p (#8 & 9)
Wendell Marshall - b
Willie Bobo - dr
Carlos "Patato" Valdes - cg
Garvin Masseaux - chekere (#1-6)
Recorded on April 26 (#1-7) and September 7 (#8 & 9) 1961 at the Van Gelder Studio, Englewood Cliffs, New Jersey

Grant Green, being known mainly as a soul-jazz guitarist, eventually gravitated into the popular boogaloo sound, a derivation of Latin music. The Latin Bit is the natural bridge to that next phase, though a bit premature for most in 1961-1963, even relative to the subsequent bossa nova craze. Pianist Johnny Acea, long an underrated jazzman, is the nucleus of this session, grounding it with witty chops, chordal comping, and rhythmic meat. The Latino rhythm section of drummer Willie Bobo and conga player Carlos "Patato" Valdes personify authentic, seasoned spice, while at times the chekere sound of Garvin Masseaux makes the soup too thick. At its collective best, the group presents a steady, serene, and steamy "Besame Mucho" and the patient, slow, slinky, sultry "Tico Tico." Just a small step below is a classy take on Charlie Parker's "My Little Suede Shoes," a premier jazz bebop (emphasis) tune with a Latin undertow and Green's tiniest staccato phrases, slightly marred by the overbearing constant chekere, but still classic. "Mambo Inn" is played inaccurately, but forgivable. "Mama Inez" ranks high for its calypso-infused happy feeling and wry stop-start lines. The straight-ahead hard bopper "Brazil" and lone soul-jazz tune, "Blues for Juanita," display the single-note acumen that made Green's style instantly recognizable. Tacked on the end are two selections with pianist Sonny Clark and tenor saxophonist Ike Quebec. While Clark is not known for Latin or soul-jazz, he's quite good, while Quebec, who emphasized Brazilian rhythms in the last years of his life, plays hip secondary harmonies on the bossa nova-flavored "Granada," but is in the complete background and a non-factor on the pop tune "Hey There." This CD always yielded mixed results for staunch fans of Green, but a revisit shows it to be a credible effort, even if slightly flawed in part. [This edition of The Latin Bit was remastered by Rudy Van Gelder in 2007.]

ape, with complete artwork
http://rapidshare.com/files/207890955/Gran...he_Latin_Bit.7z
http://rapidshare.com/files/207883879/Gran...e_Latin_Bit2.7z
http://rapidshare.com/files/207877444/Gran...e_Latin_Bit3.7z

მიმაგრებული სურათი

John Abercrombie
Abercrombie Quartet

Tracks
1 Blue Wolf (Abercrombie) 8:20
2 Dear Rain (Abercrombie) 6:49
3 Stray (Beirach) 6:39
4 Madagascar (Beirach) 9:00
5 Riddles (Beirach) 8:07
6 Foolish Dog (Abercrombie) 6:16

Personnel
John Abercrombie - g & mand g
Richard Beirach - p
George Mraz - b
Peter Donald - dr
Recorded November 1979 at Talent Studio, Oslo

flac, with LP covers
http://rapidshare.com/files/207966604/John...mbie_Quartet.7z
http://rapidshare.com/files/207959963/John...bie_Quartet2.7z




მიმაგრებული სურათი

Jim Hall
Jim Hall's Three

Tracks
1 Hide and Seek (Hall) 4:06
2 Skylark (Carmichael, Mercer) 7:11
3 Bottlenose Blues (Hall) 4:35
4 And I Do (Hall) 5:04
5 All the Things You Are (Hammerstein, Kern) 4:59
6 Poor Butterfly (Golden, Hubbell) 5:57
7 Three (Hall) 8:48

Personnel
Jim Hall - g
Steve LaSpina - b
Akira Tana - dr
Recorded and Remixed at Penny Lane Studios, New York City, January 1986

The Jim Hall Trio, on this occasion, finds the guitarist joined by two veterans, bassist Steve LaSpina (a veteran of many of Hall's sessions) and drummer Akira Tana. Hall, as usual, solos in his unique economical style and leaves plenty of breathing room for the music. "Skylark" is initiated with a very sparse yet lyrical Hall solo before LaSpina and Tana eventually join him; he takes a similar approach to "Poor Butterfly," but he remains unaccompanied throughout this masterful performance. A time tested standard like "All the Things You Are" is given a facelift with the leader's roller coaster arrangement, which is full of sudden turns. But it is the leader's originals that demand the most attention; the lively "Bottlenose Blues" marks Hall's recording debut on a 12-string guitar, while the playful "Hide and Seek" darts in and out much like its title implies. "And I Do," which is based somewhat on the changes to "I Should Care," is yet another intricate chart, while "Three" is a captivating waltz. This is another gem from one of the deans of modern jazz guitar.

flac, with complete artwork
http://rapidshare.com/files/207902813/Jim_Hall_s_Three.7z
http://rapidshare.com/files/207901309/Jim_Hall_s_Three2.7z

ყდაზე თუ არ ვცდები პიკასოს "სამი მუსიკოსია"



მიმაგრებული სურათი

Jimmy Raney
The Influence

Tracks
1 I Love You (Porter) 2:46
2 Body and Soul (Eyton, Green, Heyman, Sour) 7:53
3 It Could Happen to You (Burke, VanHeusen) 5:37
4 Suzanne (Raney) 4:54
5 Get Out of Town (Porter) 5:46
6 There Will Never Be Another You (Gordon, Warren) 4:14
7 The End of a Love Affair (Redding) 2:54
8 Dancing in the Dark (Dietz, Schwartz) 4:08

Personnel
Jimmy Raney - g
Sam Jones - b
Billy Higgins - dr

Recorded September 2, 1975

AMG
After barely being on records at all from 1957-1974 (just three albums of material and only one and a half albums during 1958-1973), the great guitarist Jimmy Raney had several opportunities to record for Xanadu between 1975-1976. His debut for the label consists of six trio numbers with bassist Sam Jones and drummer Billy Higgins, along with a couple of unaccompanied solos: "The End of a Love Affair" and his original and somewhat free-form "Suzanne," which (via overdubbing) has two guitars. Otherwise, the set sticks to trio standards, with Raney swinging hard with his distinctive cool tone on such numbers as "I Love You," "It Could Happen to You," and "There Will Never Be Another You." Recommended

flac, with complete artwork
http://rapidshare.com/files/208259705/Jimm...he_Influence.7z
http://rapidshare.com/files/208255225/Jimm...e_Influence2.7z

მიმაგრებული სურათი

George Russell
George Russell in Kansas City

Tracks
1 War Gewesen (Baker) 6:19
2 Rhymes (Bley) 4:27
3 Lunacy (Baker) 7:15
4 Sandu (Brown) 11:01
5 Tune Up (Vinson) 8:05
6 Theme (Russell) 3:14

Personnel
Don Ellis - tp
Dave Baker - tb
Dave Young - ts
George Russell - p, arr
Chuck Israels - b
Joe Hunt - dr

Recorded in New York on February 23, 1961

George Russell was at a creative peak in the early '60s as he recorded one memorable small-group session after another. The pianist and composer wrote only one of the six songs on this 1961 session, while tackling two imaginative charts (the turbulent "War Gewessen" and the amusing Latin-flavored "Lunacy") by the young trombonist Dave Baker, who was a student of Russell's and would later become an important jazz educator in his own right. Carla Bley, who had also studied with Russell, composed "Rhymes," whose initial vamp suggests Oliver Nelson's "Stolen Moments," though the haunting unison theme by Baker and trumpeter Don Ellis takes it in a completely different direction. The leader's scoring of Clifford Brown's "Sandu" allows plenty of blowing space for the band, with a typically economical piano solo by Russell. His heated arrangement of Miles Davis' "Tune Up" is simply spectacular. Liner note writer Leonard Feather hilariously describes Russell's "Theme" as "Every Man for Himself in F Minor." This rewarding Decca LP has long been unavailable and expect to pay a premium price if you are fortunate enough to run across a copy of it.

ape, with complete artwork
http://rapidshare.com/files/208662460/Geor..._Kansas_City.7z
http://rapidshare.com/files/208668017/Geor...Kansas_City2.7z

მიმაგრებული სურათი

Wes Montgomery
Wes Montgomery Trio

Tracks
1 'Round Midnight (Hanighen, Monk, Williams) 4:57
2 Yesterdays (Harbach, Kern) 3:20
3 The End of a Love Affair (Redding) 3:18
4 Whisper Not (Golson) 4:40
5 Ecaroh (Silver) 3:00
6 Satin Doll [take] (Ellignton) 4:09
7 Satin Doll [Take 7] (Ellington) 3:59
8 Missile Blues [take] (Montgomery) 4:34
9 Missile Blues [Take 6] (Montgomery) 6:04
10 Too Late Now (Lane, Lerner) 4:55
11 Jingles (Montgomery) 5:35

Personnel
Wes Montgomery - g
Melvin Rhyne - org
Paul Parker - dr

Recorded in New York ; October 5 & 6, 1959

While even label executive Orrin Keepnews admits that The Wes Montgomery Trio may have fallen short of representing Montgomery's talent, he still felt that this debut captured a large portion of it. Recorded on October 5 and 6 in 1959, guitarist Montgomery is joined by organist Melvin Rhyne and drummer Paul Parker. Montgomery's style, block chords and octaves, is already firmly in place, and he delivers lovely solos on "'Round Midnight," "Whisper Not," and "Satin Doll." The choice of material, in fact, from classics like "Yesterdays" to originals like Montgomery's "Jingles," never falters. The only drawback is that the accompaniment, which though solid, doesn't seem to perfectly match his guitar style. One gets the impression that Montgomery's forceful, deliberate style would be better-served by beefier arrangements. Having said this, Montgomery's performance — coming at the end of a decade represented by guitarists like Tal Farlow and Barney Kessel — was a revolution in technique and execution. Suddenly, out of nowhere, a 36-year-old guitarist re-imagines the jazz guitar solo. Although later Riverside recordings of Montgomery are more fully realized, fans will enjoy returning to the moment when he first burst upon the jazz scene

flac, with complete artwork
http://rapidshare.com/files/209478638/The_...tgomery_Trio.7z
http://rapidshare.com/files/209471760/The_...gomery_Trio2.7z

This post has been edited by kraig on 18 Mar 2009, 01:49

მიმაგრებული სურათი

Hank Jones
Complete Original Trio Recordings

Tracks
1 Medley (You Go to My Head) (Coots, Gillespie) 2:49
2 Thad's Pad (Jones) 2:59
3 Things Are So Pretty in the Spring (Jones, Jones, Harris) 3:40
4 Little Girl Blue (Rodgers, Hart) 2:48
5 Odd Number (Jones) 3:33
6 We're All Together (Jones) 4:10
7 Odd Number (Jones) 4:33
8 We Could Make Such Beautiful Music Together (Manners, Sour) 4:52
9 Now's the Time (Parker) 3:32
10 Cyrano (Cadena) 5:19
11 There's a Small Hotel (Rodgers, Hart) 8:15
12 My Funny Valentine (Rodgers, Hart) 5:54
13 When the Hearts Are Young (Goodman, Romberg) 4:17
14 Little Girl Blue (Rodgers, Hart) 5:37
15 Pretty Brown (Wilkins) 3:33
16 Four and Six (Nelson) 5:00
17 The Party's Over (Comden, Green, Styne) 4:24
18 Have You Met Miss Jones ? (Rodgers, Hart) 3:21

Personnel
[#1]
Hank Jones - p
Charles Mingus - b
Max Roach - dr
Recorded in New York, on April 29, 1953.
Originally taken from the LP "Jazz Workshop - Autobiography In Jazz" (Debut DEB 198).
[#2-5]
Hank Jones - p
Johnny Smith - g
Ray Brown - b
Recorded in New York, on September 4, 1953.
Originally issued as Hank Jones "Urbanity" (Clef MGC 707 / Verve MGV 8091).
[#6-13]
Hank Jones - p
Wendell Marshall - b
Kenny Clarke - dr
Recorded in New York, August 4, 1955.
Originally issued as Kenny Clarke "The Trio" (Savoy MG 12023).
[#14] features the same band and place but recorded on November 3, 1955. Taken from Hank Jones "Bluebird" (Savoy MG 12053).
Bonus tracks
[#15-16]
Hank Jones - p
Art Davis - b
Elvin Jones - dr
Recorded in New York, July 11, 1961.
Taken from the original Elvin Jones LP "Elvin! (Riverside RLP 409).
[#17]
Hank Jones - p
Aaron Bell - b
Ed Thigpen - dr
Recorded in New York, June 20, 1958.
Taken from the original Aaron Bell LP "After the Party's Over" (RCA Victor LPM-1876).
[#18]
Hank Jones - p
Oscar Pettiford - b
Charlie Smith - dr
Recorded in New York, on August 22, 1956.
Taken from the original 12" LP "Discoveries" (Savoy SJL 1172)

AMG
This is a superb Hank Jones date; highly recommended for fans of piano trio music. In 1955, most jazz pianists were immersed in the school of Bud Powell. Jones is unique in that he developed his harmonic concept prior to Powell's ascendancy and the bebop revolution, but went on to fully assimilate the melodic vocabulary of bop. He has synthesized important elements from many great players into his own recognizable style. His versatility is evident on these eight selections. Jones plays swinging bop lines on his original "We're All Together" and his blues head, "Odd Number," displays the Powell influence most clearly. Upon hearing the delicate touch and harmonic subtlety with which Jones plays ballads - including "We Could Make Such Beautiful Music Together," "Cyrano," "There's a Small Hotel," and "My Funny Valentine" - one can imagine that a young Bill Evans was quite familiar with this recording. Jones' mastery of block chords is particularly impressive. Occasionally reissued under drummer Kenny Clarke's name, this important Savoy session also includes bassist Wendell Marshall, who had spent the previous seven years with Duke Ellington's band

flac, with complete artwork
http://rapidshare.com/files/210215965/Hank_Jones.7z
http://rapidshare.com/files/210224231/Hank_Jones2.7z




მიმაგრებული სურათი

Barney Kessel
Autumn Leaves

Tracks
1 Autumn Leaves (Kosma, Mercer, Prevert) 4:56
2 Corcovado (Quiet Nights) (Jobim) 3:28
3 On a Clear Day (You Can See Forever) (Lane, Lerner) 4:46
4 Aquarius (Donato) 5:06
5 You're the One for Me (Kessel) 4:17
6 The Look of Love (Bacharach, David) 4:09
7 I Will Wait for You (Demy, Gimbel, Legrand) 3:21
8 Watch What Happens (Legrand) 3:35
9 Blue Soul (Kessel) 4:06
10 Comin' Home (Kessel) 7:40
11 Shufflin' (Kessel) 3:08
12 Quail Bait (Kessel) 3:20
13 Watch the Birds Go By (Kessel) 5:17

Personnel
Barney Kessel - g
Kenny Napper - b
John Marshall - dr
Jimmy Rowles - p [#9-11]
Teddy Edwards - ts [#9-11]
Rec. in London & Hollywood, between October 29, 1968 & September 19, 1969

AMG
This CD reissue contains a sleepy trio session by guitarist Barney Kessel who teams up with bassist Kenny Napper and drummer John Marshall for a variety of current pop tunes (including Burt Bacharach's "The Look Of Love" and two Michel Legrand songs) plus a few overly relaxed standards and originals. The CD is rounded out by three bouncy numbers from 1969 that feature Kessel with a big band that includes tenor-saxophonist Teddy Edwards and pianist Jimmy Rowles. Overall the lethargic performances function best as superior background music

flac, with complete artwork
http://rapidshare.com/files/210239335/Kessel_-_Autumn.7z
http://rapidshare.com/files/210291994/Kessel_-_Autumn2.7z

მიმაგრებული სურათი

Urbie Green
Blues and Other Shades of Green

Tracks
1 Reminiscent Blues (Green) 3:17
2 Thou Swell (Hart, Rodgers) 3:20
3 You Are Too Beautiful (Hart, Rodgers) 4:21
4 Paradise (Brown, Clifford) 3:01
5 Frankie and Johnny (Traditional) 1:49
6 One for Dee (Green) 2:45
7 Am I Blue ? (Akst, Clarke) 3:03
8 Dirty Dan (Green) 2:45
9 It's Too Late Now (Lane, Lerner) 3:11
10 I'm Getting Sentimental Over You (Bassman, Washington) 5:41
11 Lulu's Back in Town (Dubin, Warren) 3:43
12 Blue Jeans (Burke) 5:43
13 Old Time Modern (Green) 5:57
14 I Got It Bad (And That Ain't Good) (Ellington) 6:05
15 Lullaby of Birdland (Shearing, Weiss) 6:33
16 Med's Tune (Flory) 6:01
17 Warm Valley (Ellington) 2:47
18 Limehouse Blues (Braham, Furber) 2:02


Personnel
Feat. Urbie Green, Jimmy Raney, Dave McKenna, Percy Heath, Kenny Clarke, Al Cohn, Eddie Costa, Vinnie Burke, Joe Morello, Ruby Braff, Frank Wess, Freddie Green, Aaron Bell, Bobby Donaldson.

Rec. in New York between August 17, 1954 & October 12, 1955

Blues and Other Shades of Green casts Urbie Green in a rare small-group setting, assembling a stellar quintet including guitarist Jimmy Raney, bassist Percy Heath, pianist Dave McKenna and drummer Kenny Clarke for a crisp, coolly efficient session that leaves just enough wiggle room to allow all of the individual contributors their moment in the spotlight. Green wields both the slide and the valve trombone here, and the simplicity of the arrangements affords his lovely, direct tone the perfect platform to shine—as its title suggests, much of Blues and Other Shades of Green boasts a melancholy atmosphere, and Green is unusually expressive in capturing the emotions that haunt material like "Reminiscent Blues" and "It's Too Late Now." Long out of print but finally reissued in 2007 on a two-fer CD alongside its 1956 follow-up All About Urbie Green

ape, with all artwork
http://rapidshare.com/files/210208948/Urbi...des_of_Green.7z
http://rapidshare.com/files/210231139/Urbi...es_of_Green2.7z



მიმაგრებული სურათი

Jazz Casual: Cannonball Adderley/Charles Lloyd

Cannonball Adderley Quintet:
Cannonball Adderley (alto saxophone);
Nat Adderley (cornet);
Joe Zawinul (piano);
Sam Jones (bass);
Louis Hayes (drums).

Charles Lloyd Quartet:
Charles Lloyd (tenor saxophone, flute);
Keith Jarrett (soprano saxophone, piano);
Ron McClure (bass);
Jack DeJohnette (drums).

Cannobal Adderley recorded live at KQED Televison Studios, San Francisco, California on October 24, 1961.
Charles Lloyd recorded live at KQED Televison Studios, San Francisco, California on June 8, 1968. Includes liner notes by Peter Keepnews and Toby Gleason.

1. Scotch and Water
2. Interview
3. Arriving Soon
4. Interview
5. Unit Seven
6. Commentary by Ralph Gleason
7. Unit Seven (continued to fade)
8. Love Ship
9. Tagore / Passin' Thru
10. Forest Flower

Video AVI, 576x464, 608x480, 624mb, TT - 55min

http://www.link.ge/file/226542/Cannonball-...-part1.rar.html
http://www.link.ge/file/226561/Cannonball-...-part2.rar.html
http://www.link.ge/file/226585/Cannonball-...-part1.rar.html
http://www.link.ge/file/226599/Cannonball-...-part2.rar.html

მიმაგრებული სურათი (გადიდებისთვის დაუწკაპუნეთ სურათზე)

kraig

კარგად გიშრომია, დიდი მადლობა

PapaShultz

ამის გაჯაზებული ვარიანტი ხომ არ გაქვთ ვინმეს?

"ჰოი,ჰოი მუ ჯგირი რე
ხვანა გითო ხვარხვარე,
შრომა უფუს მონაწირე
მუმას შურის საყვარე".


This post has been edited by bockuchava on 18 Mar 2009, 08:37

PapaShultz

დიიდი მოდლობა გოგა, გაასწორა

ეს ძველებს!

ФАНК! Самая откровенная музыка в СССР


Artist: VA
Title Of Album: ФАНК! Самая откровенная музыка в СССР
Year Of Release: 2005
Label: Мелодия
Genre: Funk
Quality: MP3 / Joint Stereo
Bitrate: 320 kbit/s / 44.1 Khz
Total Size: 103 Mb

Содержание:
-------
1. Мгновенье, стой (For what it`s worth) – Оркестр «Диско», руководитель И.Петренко
2. Приглашение, вокальная импровизация (скэт) – И.Петренко и «Диско»
3. El condor pasa (If I cold) – Е.Дриацкая и В.Артюх
4. Путешественник – Ансамбль п/у А. Тартаковского
5. Зелье приворотное – Н.Бродская
6. Час пик – Оркестр Ленинградского радио
7. Хороша была любовь – А.Иванова
8. Devil woman – ВИА «Здравствуй, песня»
9. Маугли – Ансамбль п/у А. Тартаковского
10. Калина – ВИА «Оризонт»
11. Скорый поезд № 5 – ВИА «Эстрадные мелодии» п/у Ю.Тишкуса
12. Тогда летим – Е.Дриацкая и В.Артюх

http://www.link.ge/file/226619/-----------------.rar.html

Фанк просочился на советскую эстраду в середине 1960-х как направление в джазовой музыке. Многие советские ВИА оказались инфицированы чуть ли не при своем зачатии вирусом фанка. Болезнь эта для советской попсы стала потрясающим приобретением – расхлябанные ритмы музыки трансформировали как структуру текста, так и манеру исполнения, сделав фанк самым откровенным и эротичным стилем. Пример грамотной работы в этом направлении – песни и инструментальный пьесы ленинградца Анатолия Кальварского. Так же следует отметить выдающегося пианиста Александра Тартаковского. В 1950-60-х он выступал с джазовым трио, а в начале 1970-х собрал инструментальный ансамбль, игравший джаз-рок, а позже ставшим ВИА «Акварели». К джаз-року пытался перейти и литовский музыкант Юозас Тишкус, работавший ранее в направлениях cool-jazz & easy listening. Из киевского джаз-оркестра «Днiпро» в Ленинград перебрался Игорь Петренко. В 1970-х он работал со многими коллективами, в том числе с ВИА «Добры молодцы» в начале их пути, а к концу десятилетия собрал собственный проект – «оркестр и вокальная группа «Диско»».

К началу 1980-х в СССР фанк, как и во всем мире, полностью трансформируется в стиль диско. Одной из значимых вех этого движения был альбом «Мы любим диско» ВИА «Здравствуй, песня», откуда позаимствован трек, носивший в русском переводе скромное название «Колдунья».
* * *
VA - Vintage Grooves Funk Vol.1 (2007)


Artist: VA
Title Of Album: Funk Volume 1
Year Of Release: 08-27-2007
Label: Seamless Recordings
Genre: Funk
Quality: MP3 / Joint Stereo
Bitrate: 198kbps vbr / 44.1 Khz
Total Time: 127:33min
Total Size: 182.50MB

TRACKLIST
-----------
CD-1

1 The Begining Of The End - Funky Nassau 3:12
2 The Average White Band - Pick Up The Pieces 4:03
3 Brick - Dazz 5:40
4 The Bar Kays - Holy Ghost 3:42
5 The Brecker Brothers - Sneakin Up Behind You 3:45
6 Labelle - Lady Marmalade 3:56
7 Wild Cherry - Play That Funky Music 3:19
8 WAR - Me & My Baby Brother 3:37
9 Sly & The Family Stone - Family Affair 3:09
10 The Fatback Band - Keep On Steppin 4:22
11 Curtis Mayfield - Freddies Dead 3:50
12 The Blackbyrds - Do It Fluid 5:30
13 The Headhunters - God Made Me Funky 9:41
14 The Watts 103rd St Rhythm Band - Express Yourself 3:53

http://www.allshares.ge/download.php?id=1DBC697630
* * *
Herbie Hancock, Live At Aarhus, Denmark


Track listing:
1. You Will Know When You Get There 12:30
2. Toys / Wiggle Waggle 24:07
3. Wiggle Waggle 3:51
4. Toys 8:59
5. Maiden Voyage 11:49


Personnel:
Herbie Hancock, Piano & Electric Piano;
Eddie Henderson, Trumpet, Flugelhorn;
Julian Priester, Trombone;
Bennie Maupin, Tenor Sax, Flute, Bass Clarinet;
Buster Williams, Bass;
Billy Hart, Drums.

http://www.allshares.ge/download.php?id=52CEF4BB30



Herbie Hancock, Live at The Boarding House, San Francisco, Usa


Track listing:
01. Improvisation / Maiden Voyage (14:57)
02. Maiden Voyage / Actual Proof (15:43)

Personnel:(Probable)
Herbie Hancock - piano
Bennie Maupin - flute
Paul Jackson - electric bass
Mike Clark - drums

http://www.link.ge/file/226621/Hancock-Boa...e-1974.zip.html

Gary Burton Quartet
Newport Jazz Festival
Doelen, Rotterdam, Netherlands
October30, 1967

Gary Burton - Vibes
Larry Coryell-Guitar
Steve Swallow-Bass
Bob Mozes-Drums

1-Falling Grace (Steve Swallow)
2-General Mojo's Well Laid Plan (Steve Swallow)
3-Mother Of The Dead Man (Carla Bley)
4-June the 15, 1967 (Michael Gibbs)

MP3 320kbps
http://www.link.ge/file/226605/Gary-Burton...terdam.rar.html