Eric Dolphy - Complete Prestige Recordings - 1960 - 1961 (9 CDs)
Eric Dolphy - Complete Prestige Recordings - 1960 - 1961 (9 CDs)
Jazz | Label:Prestige | Year:1995 | MP3 | 320kbps | Total time:11:18:54 | RAR | 1,03GB
Eric Dolphy, like Clifford Brown, was a musical angel, who made the most of his short stay on Earth. One of the great musical innovators of the 20th century, Dolphy was a wailing, fearless spirit with impeccable instrumental skills, and an authentic jazz pedigree, just as much at home in swing and bop settings as we was in avant garde and classical contexts. Over the course of nine discs, Eric Dolphy: The Complete Prestige Recordings documents his growth as a composer and improviser, both as a leader and a sideman. Dolphy could do it all, with a phenomenal technical and emotional command of the reed and woodwind family, most prominently alto sax, flute, and bass clarinet (an instrument he elevated into an archetypal jazz voice, as evidenced by his speech-like turns of phrase on an unaccompanied "God Bless the Child"). Among a rich buffet of highlights, his studio recordings with Roy Haynes and Jaki Byard are standouts, but it's his spiritual partnership with the youthful trumpet titan Booker Little (on the studio recording of Far Cry and their legendary live sets at Manhattan's Five Spot) that produce this box's most compelling moments. --Chip Stern
Personnel:
Eric Dolphy alto & tenor saxophones, flute, clarinet, B-flat & bass clarinets
Oliver Nelson alto & tenor saxophones, clarinet
Eddie "Lockjaw" Davis, Booker Ervine tenor saxophone
Freddie Hubbard, Richard Williams, Clark Terry, Bobby Bryant, Booker Little (trumpet
Jimmy Cleveland trombone
Ron Carter cello, bass
Jaki Byard, Richard Wyands, Walter Bishop Jr, Gene Casey, Mal Waldren, Bent Axen (piano
George Tucker, George Duvivier, Sam Jones, Bill Ellington, Wendall Marshall, Joe Benjamin, Richard Davis, Erik Moseholm, Chuck Israels bass
Manny Ramos drums, timbales
Roy Haynes, Arthur Taylor, Charlie Persip, Ed Blackwell, Jorn Elniff drums
Juan Amalbert congas
DISC 1 | Playtime 77:31
01. G.W.
02. On Green Dolphin Street
03. Les
04. 245
05. Glad To Be Unhappy
06. Miss Toni
07. April Fool
08. G.W. (alternate take I)
09. 245 (alternate take I)
10. Screamin' the Blues
11. March On, March On
DISC 2 | Playtime 73:10
01. The Drive
02. The Meetin'
03. Three Seconds
04. Alto-Itis
05. Lautir
06. Curtsy
07. Geo's Tune
08. They All Laughed
09. Head Shakin'
10. Dianna
11. Out There
DISC 3 | Playtime 74:57
01. Serene
02. The Baron
03. Eclipse
04. 17 West
05. Sketch of Melba
06. Feather
07. Caribe
08. Blues in 6,8
09. First Bass Line
10. Mambo Ricci
11. Spring Is Here
12. Sunday Go Meetin'
13. Trane Whistle
14. Whole Nelson
DISC 4 | Playtime 77:13
01. You Are Too Beautiful
02. The Stolen Moment
03. Walk Away
04. Jaws
05. Mrs. Parker of K.C. (Bird's Mother)
06. Ode to Charlie Parker
07. Far Cry
08. Miss Ann
09. Left Alone
10. Tenderly
11. It's Magic
12. Serene
13. Images
DISC 5 | Playtime 76:16
01. Six And Four
02. Mama Lou
03. Ralph's New Blues
04. Straight Ahead
05. 111-44
06. Rally
07. Bass Duet
08. Softly, As In A Morning Sunrise
09. Where
10. Yes, Indeed
11. Saucer Eyes
12. Status Seeking
DISC 6 | Playtime 74:31
01. Duquility
02. Thirteen
03. We Diddit
04. Warm Canto
05. Warp and Woof
06. Fire Waltz
07. Like Someone in Love
08. God Bless the Child
09. Aggression
DISC 7 | Playtime 74:56
01. Fire Waltz
02. Bee Vamp
03. The Prophet
04. Booker's Waltz
05. Status Seeking
DISC 8 | Playtime 75:43
01. Number Eight (Potsa Lotsa)
02. Bee Vamp (alternate)
03. Don't Blame Me
04. When Lights Are Low
05. Don't Blame Me (alternate)
06. Les
07. The Way You Look Tonight
DISC 9 | Playtime 73:52
01. Woody'N You
02. Laura
03. Glad To Be Unhappy
04. God Bless The Child
05. In The Blues (takes 1-3)
06. Hi-Fly
07. Oleo[/center]
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Lee Morgan - Complete Blue Note Lee Morgan Fifties Sessions (1956-58)
Lee Morgan - Complete Blue Note Fifties Sessions (1956-58)
4-CD Box Set | MP3 | 320Kbps | RS.com | 8 files, 607mb
Genre: Jazz
Lee Morgan recorded for Blue Note in the late '50s, playing seven dates between 1956 and 1958. Morgan was still in his teens at the time and half of the joy of The Complete Blue Note Lee Morgan Fifties Sessions is hearing the trumpeter develop at a rapid rate. The four-disc box set The Complete Blue Note encompasses sessions with Horace Silver, Paul Chambers, Benny Golson, Wynton Kelly, Sonny Clarke, Doug Watkins, and Art Taylor. Morgan may have been young at the time these were recorded, but he was impressive even at the beginning, playing blistering hard bop and lyrical ballads with equal ease. He may have gone on to record greater, more influential albums but this music remains exciting, vital, and simply joyous.
Bio:
Lee Morgan was a stalwart of the driving jazz-meets-funk-meets-blues grooves produced by Blue Note in the 1960's. A flashy player of enormous technique and invention, he became the natural successor to Clifford Brown, emerging on the jazz scene shortly after Brownie's death in 1956. Morgan quickly developed his own style, fusing classic bebop motifs with more modern rhythms, harmonies and melodies.
Born in Philadelphia on July 10, 1938, he began his trumpet studies with a private instructor, and continued them at Mastbaum High School for the Arts, where he also played the alto horn. A fan of jazz from an early age, he was exposed to a wide variety of live music in the vibrant Philadelphia music scene, which had produced such notables as John Coltrane, Benny Golson, the Heath brothers, and many others.
By the time he was 15, Morgan was leading his own group with bassist James "Spanky" DeBrest as his partner. He was also taking part in Tuesday night workshops at the Music City club, which brought him into early contact with Miles Davis and his primary early influence, Clifford Brown. After Morgan graduated from Mastbaum in 1956, he and DeBrest subbed with the Jazz Messengers when Art Blakey arrived in Philadelphia short two musicians. "Spanky stayed on," Morgan explained in the liner notes to his first Blue Note album. "I could have stayed too, but I didn't want to sign a contract, so I left after two weeks. Very soon after that, Dizzy Gillespie returned from his South American tour. Morgan's career took off when he joined Dizzy’s big band at the age of 17.
Dizzy was always a generous teacher, and allowed his young protégé plenty of solo space. This provided Morgan an excellent opportunity to gain experience before his return to Blakey's group in 1958 after Dizzy’s group disbanded. That year he recorded, Candy, his first of twenty-five Blue Note recordings as a leader, and though he was only 18 at the time, Morgan had already attracted attention with brassy acrobatic solos that heralded the arrival of a significant, new talent. While working with the Jazz Messengers, Morgan formed a great partnership with tenorist Benny Golson, and their shared sense of timing and musical rapport is obvious on the album Moanin', both on the title track and on numbers such as Blues March. Morgan shared the Messengers frontline with Golson, Hank Mobley and then Wayne Shorter until a heroin problem forced him to leave the band in 1961, (when he was replaced by Freddie Hubbard).
He returned to his native Philadelphia for a few years, where he maintained a low profile while battling his addiction, working occasionally with saxophonist Jimmy Heath. He returned to New York in 1963, where he recorded, The Sidewinder, on the Blue Note label with sideman Joe Henderson, This was Morgan’s greatest commercial success. He entered his greatest period, recording one memorable album after another, writing "Ceora" and "Speedball" and spending a second period with Blakey (1964-65).
He also recorded widely as a sideman on many classic jazz albums such as Gillespie's Night In Tunisia, John Coltrane's Blue Trane, Grachan Moncur's Evolution and dates for others, including Curtis Fuller, Philly Joe Jones, Wynton Kelly, Clifford Jordan, Hank Mobley and Wayne Shorter. Morgan was as comfortable unleashing dynamic displays of instrumental virtuosity on triple time blues as he was displaying controlled sensitivity and passion on ballads. His style included elements drawn from Dizzy Gillespie and Clifford Brown, but his own wide, crackling tone, his use of bluesy phrasing and effects, searing high register, human-voiced half-valve effects, and his dancing, funky, timing, was the essence of hard-bop.
Morgan's later bands featured Bennie Maupin or Billy Harper on saxophone, and while the modal jazz direction taken by many other bands became more prominent in his compositions, Morgan remained at heart a hard-bop trumpet player.
Lee Morgan’s fast lane lifestyle ended on February 19, 1972, when he was shot dead by his common-law wife, Helen More, during a performance at Slug's in New York, ending his life at the age of 33.
Tracks:
CD1:
1. Gaza Strip 3:57
2. Reggie of Chester 4:55
3. Little T 8:24
4. Little T [alternate Take] 8:10
5. Stand By 5:51
6. Roccus 8:18
7. The Lady 6:47
8. Latin Hangover 6:45
9. Whisper Not 7:21
10. His Sister 6:30
CD2:
11. D's Fink 7:44
12. Slightly Hep 6:28
13. Where Am I? 5:50
14. Hasaan's Dream 8:44
15. I Remember Clifford 7:09
16. Mesabi Chant 6:11
17. Tip-Toeing [alternate Take] 6:42
18. Tip-Toeing [alternate Take] 6:43
19. Domingo 9:19
CD3:
20. Just by Myself 9:26
21. City Lights 5:46
22. You're Mine You 6:03
23. Temp de Waltz 6:24
24. Kin Folks 9:45
25. Just One of Those Things [alternate Take] 7:52
26. Just One of Those Things 7:17
27. Heavy Dipper 7:06
CD4:
28. A Night in Tunisia 9:24
29. Lover Man 6:52
30. New-Ma 8:16
31. Since I Fell for You 5:36
32. Personality 6:15
33. All at Once, You Love Her 5:29
34. Who Do You Love, I Hope 4:59
35. Candy 7:04
36. C. T. A. 5:06
37. All the Way 7:22
Links:
CD1:
http://rapidshare.com/files/73725531/4431.part1.rarhttp://rapidshare.com/files/73667768/4431.part2.rarCD2:
http://rapidshare.com/files/73653883/4432.part1.rarhttp://rapidshare.com/files/73641847/4432.part2.rarCD3:
http://rapidshare.com/files/73629317/4433.part1.rarhttp://rapidshare.com/files/73617957/4433.part2.rarCD4:
http://rapidshare.com/files/73608075/4434.part1.rarhttp://rapidshare.com/files/73596606/4434.part2.rar * * *
Bud Powell - The Complete Blue Note & Roost Recordings (1994)
Bud Powell - The Complete Blue Note & Roost Recordings (1994)
Jazz | Eac Rip | Flac+Log+Cue | 1505 Mb | Complete covers & booklets 600 dpi
Label: Blue Note | UPC: 7242383008322 | Rar rac.: 3% | RS.com[
Review by Scott Yanow
Although pianist Bud Powell recorded some great albums elsewhere (most notably his first couple of sessions for Verve), on the whole his Blue Note records were his most significant and definitive. This four-CD set has all of the music from his five Blue Note albums, his two sessions for the Roost label, and all known alternate takes. Powell literally changed the way that the piano is played in jazz, and this magnificent set has more than its share of classics. In addition to the many trio performances, trombonist Curtis Fuller sits in on three numbers, there are a few solo cuts, and one date features Powell at the head of a quintet with trumpeter Fats Navarro and the young tenor Sonny Rollins. Although there are a few faltering moments in the later dates, this essential release (unlike the similar Verve reissue) is quite consistent.
Recording date: Jan 10, 1947 - Dec 29, 1958
TRACKS
Disc 1
1. I'll Remember April
2. (Back Home Again In) Indiana
3. Somebody Loves Me
4. I Should Care
5. Bud's Bubble
6. Off Minor
7. Nice Work If You Can Get It
8. Everything Happens to Me
9. Bouncing With Bud [Alternate Take #1]
10. Bouncing With Bud [Alternate Take #2]
11. Bouncing With Bud
12. Wail [Alternate Take]
13. Dance of the Infidels [Take]
14. 52nd Street Theme
15. You Go to My Head
16. Ornithology
17. Ornithology [Take]
18. Poco Loco [Alternate Take #1]
19. Poco Loco [Alternate Take #2]
20. Poco Loco
21. Over the Rainbow
Disc 2
1. Night in Tunisia
2. Night in Tunisia [Take]
3. It Could Happen to You [Take]
4. It Could Happen to You
5. Parisian Thoroughfare
6. Autumn in New York
7. Reets and I
8. Reets and I [Take]
9. Sure Thing
10. Collard Greens and Black Eyed Peas [Alternate Take]
11. Collard Greens and Black Eyed Peas
12. Polka Dots and Moonbeams
13. I Want to Be Happy
14. Audrey
15. Glass Enclosure
16. Embraceable You
17. Burt Covers Bud
18. My Heart Stood Still
19. You'd Be So Nice to Come Home To
20. Bags' Groove
21. My Devotion
22. Stella by Starlight
23. Woody 'N You
Disc 3
1. Blue Pearl
2. Blue Pearl [Take]
3. Keepin' in the Groove
4. Some Soul
5. Frantic Fancies
6. Bud on Bach
7. Idaho
8. Don't Blame Me
9. Moose the Mooche
10. John's Abbey [Take]
11. Sub City [Take]
12. Sub City
13. John's Abbey [Take]
14. Buster Rides Again
Disc 4
1. Dry Soul
2. Marmalade
3. Monopoly
4. Time Waits
5. Scene Changes
6. Down With It
7. Comin' Up [Take]
8. Comin' Up
9. Duid Deed
10. Cleopatra's Dream
11. Gettin' There
12. Crossin' There
13. Crossin' the Channel
14. Danceland
15. Boderick
16. Like Someone in Love
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