STEVIE RAY VAUGHAN - LOST FIRST ALBUM
In 1978 There Was… [Goody Pitch-Corrected Edition, 1CD]
The Legendary Lost First Stevie Ray Vaughan Album. Excellent soundboard.
http://www.share.ge/download.php?id=5DBA422A4Track 01. You Can Have My Husband (Lou Ann vocal) 2:55 (4.0MB)
Track 02. Rude Mood 3:27 (4.7MB)
Track 03. Pride And Joy (Stevie vocal) 3:02 (4.1MB)
Track 04. Oh, Yeah (Lou Ann vocal) 3:03 (4.1MB)
Track 05. Love Struck Baby (Stevie vocal) 2:06 (2.9MB)
Track 06. Ti Ni Nee Ni Nu (Lou Ann vocal) 2:47 (3.8MB)
Track 07. Empty Arms (Stevie vocal) 2:25 (3.3MB)
Track 08. I Wonder Why (Lou Ann vocal, Stevie slide guitar) 5:34 (7.6MB)
Track 09. I’m Crying (Stevie vocal) 3:33 (4.8MB)
Track 10. Sugar Coated Love (Lou Ann vocal) 3:24 (4.6MB)
Track 11. Natural Born Lover 3:33 (4.8MB)
Track 12. Ti Ni Nee Ni Nu 2:48 (3.8MB)
Track 13. Scratch My Back 3:50 (5.2MB)
Track 14. I’ll Change 3:04 (4.2MB)
Track 15. Shake A Hand 4:21 (5.9MB)
Track 16. Oh Baby 3:26 (4.7MB)
Track 17. Sugar Coated Love 3:32 (4.8MB)
Track 18. Love In Vain 4:19 (5.9MB)
Track 19. So Excited/You Can Have My Husband 5:03 (6.9MB)
Track 20. Oh, Yeah (My Baby’s Gone) 2:47 (3.8MB)
Tracks 1-10: Studio Recordings
Recorded in Nashville, Tennessee at Jack Clemont’s Belmont Studio, early 1978
Stevie Vaughan - vocals, guitar
Jack Newhouse - bass
Chris Layton - drums
Lou Ann Barton - vocals
Produced by Joe Gracy
Tracks 11-17: Austin Blues Festival, 1979
Tracks 18-20: Piona’s, October 1979
Stevie Vaughan - vocals, guitar
Jack Newhouse - bass
Freddie “Pharoah” Walden - drums
Johnni Reno - tenor sax
Lou Ann Barton - vocals
“The one and only surviving test pressing was recently discovered in a cupboard in South Austin, Texas where it had lain for the last 19 years, all other recordings of the project have been destroyed after alleged contractual disputes arose. These recording [sic], notable for their raw energy and rare slide guitar work are essential for all true collectors. Also featuring four early arrangements of songs that later appeared on the Texas Flood album.
Due to the brevity of the Nashville ‘78 session the producers have added a live soundboard recording featuring Lou Ann Barton and three tracks featuring Johnni Reno on saxophone.”
Notes: The above paragraph is the supposed story behind this recording as told on the CD inlay. The real story is that the band didn’t like the way the album turned out and paid a large sum of money to keep it from being released. As you would expect, someone got their hands on a copy and bootlegged it.
PapaShultz Mugam Club, Vol. 2 
