აჰა კამერებით დავირაზმოთ.
All tickets for all 3 shows in Argentina are now sold out.
There's a limited number still available for Chile & Brazil but these are expected to sell out soon.
ვიჩქაროთ ოღონს
back to topic
მოკლედ ის ტორონტოს გიგ რომელიც დვდ უნდა ყოფილიყო წესით ესპანეტში უბრალოდ გაუშვეს ტვ-ში. იმედია ვინმემ ჩაიწერა და ჩვენც ვიხილავთ
There are many lessons to be learned in the practice of attending live rock shows. They include: "Don't drink too much if you've got a good spot in front of the stage, unless you plan to piss your pants" and "Don't wear your brand-spankin' new tour T-shirt at the gig because you'll look like a tool."
The latest lesson to be learned is if you have a chance to attend a gig where the band are filming for a live DVD, go. You're guaranteed the best of everything, from lighting to effects to performance. Thousands and thousands of dollars are being spent to make sure this show looks and sounds stellar, so as a concert-goer, you can rarely do better.
Ex-Verve frontman Richard Ashcroft kicked off the night with a solid set evenly paced between his solo material and older Verve songs. The infamously temperamental Ashcroft was in a surprisingly jovial mood, kicking off his sneakers and grooving around the stage in bare feet. Songs included "Music Is Power" from his latest album, Keys To The World, "Science Of Silence" and classic Verve offerings "Lucky Man" and finale "Bittersweet Symphony," which brought the house down.
And then it was lights, camera, action. As Coldplay launched into their opening song, "Square One," Chris Martin exploded from the back of the stage and somehow managed to make it to the very front in three nimble Crouching Tiger, Hidden Dragon-style leaps. The man is like a spider monkey. It must be all that yoga with Gywneth.
It's a good thing that Martin is the kinetic presence that he is, because the rest of the band were content to stay very still. When Martin was locked to his piano, the whole scene got infinitely less interesting to watch.
The cameras were present, but relatively unobtrusive, as Coldplay worked their way through an even-handed set that covered all the bases. After smashing through "Politik," it was on to the classic "Yellow," which had the extraordinary effect of gigantic yellow balloons filled with gold glitter falling from the roof. Martin then skewered two of them on the end of his guitar neck, causing a glittery explosion over the ecstatic crowd.
Martin's falsetto sounded a bit shredded on "What If," but his stirring delivery and the swirling light show made up for it. "I know you weren't planning to be in a film and wished you had changed your hair or gotten a nose job," he joked. "But we look like a bad version of the Bee Gees!"
A brief equipment change-around saw Coldplay gathered at the front of the stage with single keyboard and guitar for an acoustic moment. After "Kingdom Come" (which was written for Johnny Cash), the tribute continued with an entertaining cover of "Ring Of Fire."
Between the light show, the digital displays, Martin's energetic acrobatics and the band's sheer musicianship, it was a show to remember. The encore included "Swallowed In The Sea," "In My Place" (where Martin flung himself off stage and tore up the aisle to stand and sing with audience members in the back), and wrapped up with "Fix Me." It's going to be one hell of a DVD.
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COLDPLAY, III ნაწილი!!!!!
