Z Like always...Its For you!
Oscar Peterson & Bassists"Montreux '77"


Performers: Oscar Peterson, Ray Brown, Niels Pedersen
Album: Montreux '77
Genre: Jazz
Format: CD
Label: Pablo
Quality: APE (Image + Cue + Log + Scans + Tau + Text)
Recording Date: July 15, 1977
Total Time: 47:33
Size: 200 MB ( 99,1 + 99,1 + 2,5 ) Incl. 5% Recovery.
Track List:
1. THERE IS NO GREATER LOVE (Symes-Jones) 5:50
2. YOU LOOK GOOD TO ME (Donaldson-Rose) 6:49
3. PEOPLE (Styne-Merrill) 6:26
4. REUNION BLUES (M.Jackson) 6:37
5. TEACH ME TONIGHT (De Paul-Cahn) 4:58
6. SWEET GEORGIA BROWN (Bernie-Pinkard-Casey) 5:03
7. SOFT WINDS (B.Goodman) 6:19
Artist List:
OSCAR PETERSON- piano
RAY BROWN- bass
NIELS PEDERSEN- bass
http://www.alldrives.ge/main/linkform.php?f=5d50032dc5537acchttp://www.alldrives.ge/main/linkform.php?f=015fb98771d97a98 * * *
Charles Mingus - Tonight at Noon

Genre: Jazz
Format: CD
Label: Atlantic
Quality: Flac
Recording Date: 1957,1961
Size: 225 MB + scan
Tracklisting:
1. Tonight at Noon
2. Invisible Lady
3. "Old" Blues for Walt's Torin
4. Peggy's Blue Skylight
5. Passions of a Woman Loved
Tracks 1,5: Jimmy Knepper (tb) Shafi Hadi (ts) Wade Legge (p) Charles Mingus (b) Dannie Richmond (d)
Tracks 2-4: Jimmy Knepper (tb) Booker Ervin (ts) Roland Kirk (ts, mzo, str, siren, fl) Charles Mingus (p, vo, nar) Doug Watkins (b) Dannie Richmond (d)
http://bin.ge/file/160640/Noon.rar.html * * *
Twins ამას კი უსმენ როცა ცუდ ხასიათზე ვარ....
A Silver Mt Zion

Live at Voxhall, Aarhus, Denmark, April 2, 2008.
Lineup:
Efrim Menuck: Guitar, Vocals
Ian Ilavsky: Guitar
Thierry Amar: Upright Bass
Eric Craven: Drums
Beckie Foon: Cello
Sophie Trudeau: Violin
Jessica Moss: Violin
http://www.link.ge/file/21052/A-Silver-Mt-Zion.rar.htmlThe new album, 13 Blues For Thirteen Moons, is played in full at this concert in Denmark during the band's European tour. The shift in approach since 2005's Horses In The Sky where all the songs had vocals arrives in full on this new album - all the songs have vocals too and, for the first time, you don't have to strain to hear the words - a lyric sheet is included.
"Then the band plunges into the song proper, full-on bashing drums and raw cello and swirling violins and fuzzy guitars all playing a riff that Tony Iommi would have been proud to come up with, but slower, more worried, more chaotic. It goes on like that for the best part of 15 minutes, sometimes changing, with the occasional instrumental passage, but basically this glorious communal racket that surges like waves crashing on a beach in a winter storm at night. Yes, it's repetitive, but it changes the way the sea changes, basically the same but always just different enough to be fascinating. And that's just the first song."