John Hammond - Mileage
Tracks:
1 My Babe Dixon 2:55
2 Standing Around Crying Morganfield 4:34
3 Riding in the Moonlight Howlin' Wolf 2:36
4 Big 45 Carr 3:10
5 Seventh Son Dixon 2:19
6 Red Hot Kisses McMurray 4:33
7 Help Me Carreras, Farver, Ward 3:44
8 It Hurts Me Too London 2:35
9 32-20 Blues Johnson 2:09
10 You'll Miss Me Williams 2:46
11 Mr. Luck Reed 2:43
12 Hot Tamales Johnson 2:14
13 Diddley Daddy Diddley 4:04
http://mydisk.ge/download.php?id=816E1D4A22http://rapidshare.com/files/223531486/John...d_-_Mileage.rarThis album, originally released in 1980, perfectly captures both the searing electric and raw acoustic blues stylings of the legendary John Hammond. His close-to-the-bone vocals, masterful fingerstyle and slide guitar, and piercing harmonica keep the flame alive on this collection of blues roots classics by Willie Dixon, Muddy Waters, Howlin' Wolf and Robert Johnson.
David Jacobs-Strain - Skin & Bones
Tracks:
1) Cottonwood Grove
2) Poor Boy
3) Stagolee
4) Big Hands
5) Mama, Don't You Know
6) Skin and Bones
7) Rain So Hard
8) Way Down
9) Swing Low
10) Back Water Blues
11) Brownsville
12) Nobody's Fault
Instrumentation
David Jacobs-Strain
vocals, guitar
http://www.allshares.ge/download.php?id=55C00C3223http://rapidshare.com/files/222567285/Davi...kin___Bones.rar
Biography
David Jacobs-Strain, a consummate finger-style and slide guitarist, plays in the blues tradition but isn’t from it. You’ll hear echoes of Skip James, Charlie Patton, Tommy Johnson, and a song or two by Fred McDowell or Robert Johnson in his solo performances. But as a modern roots singer-songwriter, “I come from the language of the country blues, but it’s important not to silence other influences,” he says.
Upon listening to Jacobs-Stain’s latest CD, Liar’s Day, you can imagine him inviting his touchstone, American bluesman Taj Mahal, on a musical walkabout. You can imagine them conferring with Salif Keita, Afro-pop songster of Mali; and conversing with Vishwa Mohan Bhatt, Indian slide guitarist; and even conjuring the spirit of John Lennon while tramping in the Siskiyou Mountains of Oregon. The traces of these musical excursions interweave with the fat sounds of a rock rhythm section. The results cohere into a genre-defying journal of Jacob-Strain’s pursuit to honor both the roots of American country blues and the possibilities that can grow from them.
The mix of instruments and old-school analog effects on this album produce “a sonic palette that’s neither just blues nor just rock and roll,” Jacobs-Strain says. Liar’s Day was produced by his mentor and collaborator, Kenny Passarelli (Otis Taylor, Stephen Stills), who’s also featured on the bass. They’re joined by Joe Vitale on drums. “I wanted a big, aggressive drum sound—a Neil Young or Tom Petty sound—that still allowed space for the Traugott acoustic and National steel guitars. I got it by working with Joe and Kenny, Joe Walsh’s rhythm section in the ’70s.”
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Blues, როკის ფესვები Vol.II 
