დიდი მადლობა თანაგრძობისთვის....
მაგრამ მე მაინც მგონია რომ ჩამოსაპინი იყო....
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Chet Baker - 1959 Plays The Best Of Lerner & Loewe
01. I've Grown Accustomed To Her Face (from My Fair Lady) 4:13
02. I Could Have Danced All Night (from My Fair Lady) 3:39
03. The Heather On The Hill (from Brigadoon) 5:03
04. On The Street Where You Live (from My Fair Lady) 8:35
05. Almost Like Being in Love (from Brigadoon) 4:50
06. Thank Heaven For Little Girls (from Gigi) 4:33
07. I Talk To The Trees (from Paint Your Wagon) 5:49
08. Show Me (from My Fair Lady) 6:29
All songs by Lerner & Loewe
Chet Baker (trumpet)
Zoot Sims (alto & tenor saxophones)
Pepper Adams (baritone saxophone)
Herbie Mann (flute)
Bill Evans, Bob Corwin (piano)
Earl May (bass)
Clifford Jarvis (drums)
Recorded at Reeves Sound Studios, New York, on July 21 & 22, 1959
http://up.jeje.ge//download.php?id=1C5A608930Chet Baker - 1959 Plays The Best Of Lerner & Loewe FLAC + SCANS
http://rapidshare.com/files/253800126/CheBaPTBOLAL.part1.rarhttp://rapidshare.com/files/253800149/CheBaPTBOLAL.part2.rarhttp://rapidshare.com/files/253799426/CheBaPTBOLAL.part3.rarThis is one of the last Chet Baker (trumpet) long players recorded in the States prior to the artist relocating to Europe in the early '60s. Likewise, the eight-tune collection was the final effort issued during his brief association with the Riverside Records imprint. The project was undoubtedly spurred on by the overwhelming success of the Shelly Manne-led combo that interpreted titles taken from the score to My Fair Lady (1956). In addition to becoming an instant classic, Manne's LP was also among of the best-selling jazz platters of all time. While Baker and crew may have gained their inspiration from Manne, these readings are comparatively understated. That said, the timelessness of the melodies, coupled with the assembled backing aggregate, make Chet Baker Plays the Best of Lerner and Loewe (1959) a memorable concept album. Although Alan Jay Lerner and Frederick Loewe had produced a number of well-received and luminous entries, half of the material on this disc is derived from My Fair Lady (1956). "I've Grown Accustomed to Her Face" is given a languid torch song treatment that spirals around Baker's cool inconspicuous leads, featuring some equally sublime contributions from Zoot Simms (alto sax/tenor sax). This contrasts the resilient and free-spirited waltz on "I Could Have Danced All Night," which benefits from Herbie Mann's (flute) breezy counterpoint and solo. Bill Evans (piano) also lays down some tasty licks over top of the solid rhythm of Earl May (bass) and Clifford Jarvis (drums). "On the Street Where You Live" is a highlight, as the personnel take the time to stretch out and thoroughly examine with some key counterpoint between Baker's honey-toned horn and Pepper Adams' (baritone sax) husky and ample involvement. Of the non-My Fair Lady sides, "The Heather on the Hill" and a superior "Almost Like Being in Love" hail from Brigadoon (1947), while the scintillating and smoldering "Thank Heaven for Little Girls" comes from Gigi (1958). Not to be missed is "I Talk to the Trees," with an unhurried and evenly measured tempo that is coupled to Baker's austere, yet rich and purposeful lines.
Lindsay Planer
Chet Baker - 1983 Estate
01 Crystal Bells (Mariano) 6:17
02 Strollin' (Silver) 7:25
03 Lament (Johnson) 7:37
04 Leaving (Beirach) 9:43
05 Cherokee (Noble) 6:49
06 Estate (Martino) 5:31
07 My Funny Valentine (Rodgers, Hart) 10:17 *
* Bonus Track
Chet Baker, Trumpet
Philip Catherine, Guitar
Jean-Louis Rassinfosse, Bass
Recorded in Brussels, Belgium on September, 1983
* Recorded in Europe, spring 1985
http://up.jeje.ge//download.php?id=4C906F9E29Chet Baker - 1983 Estate FLAC + SCANS
http://rapidshare.com/files/253800384/CheBaE.part1.rarhttp://rapidshare.com/files/253800394/CheBaE.part2.rarhttp://rapidshare.com/files/253798483/CheBaE.part3.rarThis release contains Chet Baker’s complete September 1983 studio date in Brussels - with a trio, featuring guitarist Philip Catherine and bassist Jean-Louis Rassinfosse. There is also a bonus track by the same trio performing a live, 10-minute plus version of Baker’s celebrated ‘hit’, My Funny Valentine in Europe, in the Spring of 1985.
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ბიტლების მოყვარულებს!
George Martin - In My Life
Tracklist:
01. "Come Together" – 4:37
* Featuring Robin Williams & Bobby McFerrin on vocals.
02. "A Hard Day's Night" – 3:24
* Featuring Goldie Hawn on keyboards & vocals.
03. "A Day in the Life" – 4:44
* An instrumental version, featuring Jeff Beck on guitar.
04. "Here, There, and Everywhere" – 3:18
* Featuring Céline Dion on vocals.
05. "Because" – 3:18
* Featuring Vanessa Mae on violin & vocals.
06. "I Am the Walrus" – 4:31
* Featuring Jim Carrey on keyboards & vocals.
07. "Here Comes the Sun" – 3:30
* Featuring the guitar virtuoso John Williams on guitar.
08. "Being for the Benefit of Mr. Kite" – 2:58
* Featuring Billy Connolly on vocals.
09. "The Pepperland Suite" (George Martin) – 6:19
* Originally appeared in 1969 album Yellow Submarine, with new arrangements.
10. "Golden Slumbers"/"Carry That Weight"/"The End" – 5:38
* Featuring Phil Collins on drums, percussion & vocals.
11. "Friends and Lovers" (George Martin) – 2:24
12. "In My Life" – 2:29
* Featuring Sean Connery on lead spoken word vocal.
Personnel:
George Martin (conductor, arranger)
Robin Williams, Bobby McFerrin, Goldie Hawn, Celine Dion,
Jim Carrey, Billy Connolly, Phil Collins, Sean Connery (vocals)
John Williams (classical guitar)
Jeff Beck (guitar)
Vanessa Mae (violin)http://up.jeje.ge//download.php?id=C32EECAE36
"A Day In The Life" was nominated for the 2000 Grammy Award for Best Pop Instrumental Performance.
They hardly ever make 'em like this anymore. Once upon a time, as lovingly documented on priceless collections like GOLDEN THROATS, non-singers like William Shatner, Joey Bishop and Sebastian Cabot would try their hand at "vocalizing," with unintentionally hilarious results. By the '90s such folks were far too self-conscious for that sort of endeavor, and the novelty well ran dry. When Beatles producer George Martin decided it was time to make his own album, he obviously remembered his beginnings as a successful comedy producer. He assembled the entertaining, (intentionally) side-splitting IN MY LIFE. Calling upon the likes of Robin Williams, Jim Carrey and Sean Connery to interpret classic Beatles tunes will surely earn Martin an eternal place in the Dr. Demento Hall of Fame, and a reputation as a man confident enough to poke fun at his own musical legacy.
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