Just, რა..., უთემო პოსტები. Chillout. მეცხრამეტე ეპოქა

T@chka
ტააჩ დაიცა ავტვირთავთ მალე შენი კივილის ამსახველ ვიდეოს ...

casper
აუუუ მართლა როგორ მეტკინა იცი?

გავგიჟდი


ველი როგორც მგელი

This post has been edited by T@chka on 5 Jul 2008, 02:57

T@chka

იხ. "ფორუმელთა სურათებში"

casper
აბა სად რა როგორ რამდენი რატო?

T@chka

უყურეეეეეეეეე სურათებშია

casper
უკვე ვნახე

აშკარად არა

ძილი ნებისა!

უტკბილესად დაიძინე.....

არსებობენ კეთილები
და კეთილ მოტ#ნულები


ჰოდა


ტვინს ტ@#ნავენ თავისთვის
სხვა რაღა დარჩენიათ

კეთილები? :ბუჰაჰაჰჰაჰაჰაა:





ტFუ, წავიდე ხვალ, არ წავიდე ხვალ, წავიდე ხვალ, არ წავიდე ხვალ, წავიდე ხვალ...


















_________________________________________________









აუ მაიმუნები გამახსენდა ამ წამს და ისევ გული დამწყდა ...

Meguna

მადლობა..
შენც ასევე

Peterson grew up in the neighbourhood of Little Burgundy, Montreal. It was in this predominantly black neighbourhood that he found himself surrounded by the jazz culture that flourished in the early 20th century.[7] At the age of five, Peterson began honing his skills with the trumpet and piano. However, by the age of seven, after a bout of tuberculosis, he directed all his attention to the piano. His father, Daniel Peterson, an amateur trumpeter and pianist, was one of his first music teachers, and his sister, Daisy, taught young Oscar the classical piano. Young Oscar was persistent at practising scales and classical etudes daily, and thanks to such arduous practice he developed his astonishing virtuosity.

As a child, Peterson also studied with Hungarian-born pianist Paul de Marky, a student of Istvan Thomán who was himself a pupil of Franz Liszt, so his training was predominantly based on classical piano. Meanwhile he was captivated by the traditional jazz and learned several ragtimes and especially the boogie-woogie. At that time Peterson was called "the Brown Bomber of the Boogie-Woogie."[8]

At age nine Peterson played piano with control that impressed professional musicians. For many years his piano studies included four to six hours of practice daily. Only in his later years did he decrease his daily practice to just one or two hours. In 1940, at age fourteen, Peterson won the national music competition organized by the Canadian Broadcasting Corporation. After that victory, he dropped out of school and became a professional pianist working for a weekly radio show, and playing at hotels and music halls.

Jazz fans and Canadians both home and abroad are mourning the death of Oscar Peterson, the virtuoso known globally as one of the most talented musicians ever to play jazz piano.

Peterson died Sunday night at his home in Mississauga, Ont., from kidney failure. He was 82.


In August 2005, Canada Post paid tribute to Oscar Peterson on his 80th birthday by issuing a postage stamp in his honour.
(Nathan Denette/Canadian Press)
"The world has lost the world's greatest jazz player," Hazel McCallion, mayor of Mississauga and Peterson's friend, told CBC News on Monday afternoon.

Renowned for his speed and virtuosity as a pianist, Peterson — who was born in Montreal and later made Toronto his home — made hundreds of recordings in his career, even after a stroke in 1993 disabled his left hand.

"What he was able to achieve [after his stroke], playing with half of what most other pianists had, he was still light years ahead of every one else," said jazz broadcaster Ross Porter.

Liberal politician and former Ontario premier Bob Rae said he "worshipped" Peterson as a musician and a fan, and hailed the pianist for his achievements.

"The young Oscar was without question the greatest piano player of his time … the greatest piano player player of jazz," Rae said, praising Peterson for "the dexterity of his right hand, the stride, the power of his left."

"As he got older, the depth of his humanity came out in his compositions," added Rae.

Over the years, Peterson's recording and performing partners included such stars as Charlie Parker, Ella Fitzgerald, Dizzy Gillespie, Louis Armstrong, Duke Ellington, Count Basie, Nat King Cole and Stan Getz.






წარმოიდგინეთ, ადამიანი უკრავდა 1 ხელით, უფრო მაგრა ვიდრე უმეტესობა ჯაზმენი 2-ით... და 2-ით სანამ უკრავდა, ნებისმიერ პასაჟს უკრავდა უნისონში
ე

This post has been edited by Link on 5 Jul 2008, 03:41

მიმაგრებული სურათი

წავედი ეხლა გავქრი აქედან...........................

He was trying to teach us how to feel from the inside."

Because he was a big man — six feet three inches — Peterson could stretch his hands over a keyboard in a way few musicians can match, King recalled.

"His hands could do things few piano players can do."

http://youtube.com/watch?v=cIkQNti8_EU


ერთი ამას უყურეთ
ვინმემ
და მითხარით

აი ამას... რამე ან ვინმე ჯობია??


80 წლის კაცი.... ბლიიიიიიიიიად

This post has been edited by Link on 5 Jul 2008, 03:58

მიმაგრებული სურათი

Hi.