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Inception: Another classic created by Nolan, 6 July 2010
Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption.
One last job could give him his life back but only if he can accomplish the impossible-inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming.
Though the narrative speeds ahead like a rapidly unfolding lucid dream, Inception uses the familiar vernacular of the heist film to keep less attentive audiences engaged. Unlike other films that traipse across the boundless landscape of the unconscious mind, it's not a take-it-or-leave-it proposition.
The particulars may be complex, but there's an emotional logic that drives the story forward. There are also wildly compelling action set pieces. In this regard, Inception is a miracle: a multi-layered meditation on the unruly clutter of the subconscious that works sensationally well as a classical action film. It plays brilliantly on every conceivable level.
What's most exciting about Inception is that it finds Nolan peaking as a visual artist; he's using the extravagantly cinematic tropes of other genres to connect with the viewer intellectually. With Inception, Nolan joins the company of Coppola, Lean and not too many others as a filmmaker who treats the big canvas with the respect it deserves - but with the steely verve of a chess player who can see dozens of moves ahead. Pure cinema at its best feels like dreaming with your eyes wide open. Cinema doesn't get much purer than Inception.
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This post has been edited by Dexter_Holland on 7 Jul 2010, 16:32 
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დასაბამი / Inception [2010], რეჟ: Christopher Nolan
