"I have ideas about an arc, but really, the important thing is just to start… you have to start with one. You know, you have to start with a story that begins something."
"And when [screenwriter] Mark [Bomback] and I began [Dawn of the Planet of the Apes], we knew what our goals were, but we didn’t know how we were gonna get there, and I would say that that more relates to the way that I see a Batman story, is a kind of ambition for a series of stories, but really the most important thing is gonna be to tell a vital first story."
ნამდვილად არ უნდა ერთ ფილმში ყველაფრის ჩატევა და ამბის უფრო ვრცლად მოყოლა სურს.. მაგარი იქნება, დროც გავა ამასობასი ძველი ტრილოგიიდან.
მეთ რივზის მეორე ინტერვიუ
“It’s my hope to tell a very emotional Batman story,” Reeves told Yahoo Movies while promoting War for the Planet of the Apes, “and I do see a very strong parallel between [Batman and Caesar] because they’re both damaged characters who are grappling to the do the right thing in a very imperfect world. A world that’s filled with all of the corruption that is human.”
თავიდან მეთქი რა ცეზარი

მერე გამახსენდა
“What I love that [Nolan] did was that he took the genre seriously,” Reeves said. “What studios are willing to make at the moment is a very, very narrow band of films. What I discovered is that this genre has the potential to be about something more. You can use the metaphors of the genre to talk about [a lot].
“I think that the metaphors of both of the franchises [Batman and Apes] enable you to tell stories that have deep emotional resonance. That’s actually what excites me about it. It’s interesting because I was obsessed with both as a child, and yet there is something potentially very adult about what you can explore under the cover of that fantasy. That is what draws me to it, and that’s what I’m excited about.”
“I think the other thing that I really admire in what [Nolan] did was knowing what it is to make a big studio film,” Reeves concludes, “which often can fall into that sense of committee filmmaking where there’s an anonymity to the point of view of the film.