play it fucking loudჰაჰა რაღაც მოხდებას რომ იძახი ზნაჩიტ არ იცი ნორმალურად რა ხდება, იმიტო რო ყოველ 5 წუთში ვიღაცას დედა ეტყვნება
სგ გოგი გვახარია იბაზრე
The film garnered a 78% favorable rating from critics (per Rotten Tomatoes), though its "Top Critics" rating was lower at 61%. Roger Ebert praised the film, saying that "With this film (Spielberg) has dramatically opened a wider dialogue, helping to make the inarguable into the debatable." [9][10] and placed it at #3 on his top ten list of 2005.[11] James Berardinelli wrote that "Munich is an eye-opener – a motion picture that asks difficult questions, presents well-developed characters, and keeps us white-knuckled throughout." He named it the best film of the year;[12] it was the only film in 2005 which he gave four stars, and he also put it on his Top 100 Films of All Time list. Entertainment Weekly film critic Owen Gleiberman said that Munich was the #1 film of 2005. Rex Reed from New York Observer belongs to the group of critics who didn't like the film: "With no heart, no ideology and not much intellectual debate, Munich is a big disappointment, and something of a bore."[13]
Variety magazine reviewer Todd McCarthy called Munich a "beautifully made" film. However, he criticized the film for failing to include "compelling" characters, and for its use of laborious plotting and a "flabby script." McCarthy says that the film turns into "...a lumpy and overlong morality play on a failed thriller template." To succeed, McCarthy states that Spielberg would have needed to implicate the viewer in the assassin squad leader's growing crisis of conscience and create a more "sustain(ed) intellectual interest" for the viewer.[14]
Chicago Tribune reviewer Allison Benedikt calls Munich a "competent thriller", but laments that as an "intellectual pursuit, it is little more than a pretty prism through which superficial Jewish guilt and generalized Palestinian nationalism" are made to "... look like the product of serious soul-searching." Benedikt states that Spielberg's treatment of the film's "dense and complicated" subject matter can be summed up as "Palestinians want a homeland, Israelis have to protect theirs." She rhetorically asks: "Do we need another handsome, well-assembled, entertaining movie to prove that we all bleed red?"[15]
Another critique was Gabriel Schoenfeld's "Spielberg's 'Munich'" in the February 2006 issue of conservative Commentary, who called it "pernicious". He compared the fictional film to history, asserted that Spielberg and especially Kushner felt that the Palestinian terrorists and the Mossad agents are morally equivalent and concluded: "The movie deserves an Oscar in one category only: most hypocritical film of the year."[16]
Won
4th Central Ohio Film Critics Association Awards:
Best Ensemble Cast
40th Kansas City Films Critics Circle Awards:
Best Director (Steven Spielberg)
Best Picture
Best Screenplay – Adapted (Tony Kushner and Eric Roth)
4th Washington D.C. Area Film Critics Association Awards:
Best Director (Steven Spielberg)
Best Picture
[edit]Nominated
78th Academy Awards:
Best Director (Steven Spielberg)
Best Editing (Michael Kahn)
Best Original Score (John Williams)
Best Picture (Kathleen Kennedy, Steven Spielberg, Barry Mandel and Colin Wilson)
Best Screenplay – Adapted (Tony Kushner and Eric Roth)
56th American Cinema Editors Eddie Awards:
Best Edited Feature Film – Dramatic (Michael Kahn)
Australian Film Institute:
Best Actor (Eric Bana)
11th BFCA Critics' Choice Awards:
Best Director (Steven Spielberg)
58th Directors Guild of America Awards:
Best Director (Steven Spielberg)
Empire Awards:
Best Thriller
63rd Golden Globe Awards:
Best Director (Steven Spielberg)
Best Screenplay (Tony Kushner and Eric Roth)
7th Golden Trailer Awards:
Best Drama
48th Grammy Awards:
Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media (John Williams)
2006 MPSE Golden Reel Awards:
Sound Editing in Feature Film – Dialogue and Automated Dialogue Replacement
9th Online Film Critics Society Awards:
Best Director (Steven Spielberg)
Best Editing (Michael Kahn)
Best Screenplay – Adapted (Tony Kushner and Eric Roth)
Best Picture
Best Original Score (John Williams)
4th Washington D.C. Area Film Critics Association Awards:
Best Screenplay (Tony Kushner and Eric Roth)
Best Supporting Actor (Geoffrey Rush)
6th World Soundtrack Awards:
Best Original Soundtrack (John Williams)
ჰო , ჰო
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